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<channel>
	<title>Hannah Schleifer</title>
	<link>https://hannahschleifer.com</link>
	<description>Hannah Schleifer</description>
	<pubDate>Sun, 26 Apr 2026 10:39:57 +0000</pubDate>
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		<title>Info</title>
				
		<link>https://hannahschleifer.com/Info</link>

		<pubDate>Thu, 27 Jul 2023 14:57:20 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

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		<description>
	about


(*1997 in Germany; living and working in The Hague, Netherlands)
My practice is located within a methodological framework of images, research, archives, and collaboration. The starting point of my work often lies in the personal discovery of a place, or detail within a place, that I am not yet familiar with. By taking photographs, collecting existing information, conducting fieldwork, and simply spending time in these locations, I first investigate my personal perception of the site to then draw a broader interpretation which finally forms the work. &#38;nbsp; &#38;nbsp; 
Recent sites of exploration include newly-built neighbourhoods (Vinex-wijken), Gravity Roads, apartment complexes, and a US army training area. While the process and elements of my work may initially appear analytical, the outcomes raise questions and propose reflections on the relationship to and our positioning within our surroundings. A reoccurring methodology is going through a great amount of documents/archive in order to end up with carefully picked out elements, that I then expand on again, which bring a surprising, often humorous element to the work. I aim to offer a perspective that triggers a dialogue about the spaces we inhabit and navigate daily—spaces we may never have consciously considered. I enjoy to share my curiosity and the excitement of not yet knowing but therefore discovering with those who encounter my work. &#38;nbsp; &#38;nbsp; 
My autonomous practice is inevitably carried by what I do parallel to it. Working in collaboration motivates and inspires me. This collaborative activity spans from exchanges with others in the research process of my works, over publishing and designing books with and for artists, to curating and facilitating exhibitions.

contact

mail: hannahschleifer(at)posteo.de 
instagram: @hannah_schleifer
since 2024 I am running the publishing project ringelpress:www.ringelpress.com
instagram: @ringelpress


	
	




	education

(09-11/2024)
Internship at Outerspace Press,
Berlin, Germany
(2020-2024) BA Photography at Royal Academy of Art,The Hague, The Netherlands
(02/2023-05/2023) Internship at KULT Books, Stockholm, Sweden
(2016-2019) Apprenticeship Product Photography, Nürnberg, Germany
	Duo shows:2026 &#38;nbsp;&#38;nbsp; Reliable Surface, with Enrico Carpi, atSUNSET, The Hague (NL)

Group shows:2026&#38;nbsp; &#38;nbsp; Fulll Pivot, Helsinki (FI)
2026&#38;nbsp; &#38;nbsp; A box set with three corners, Het Archief Artspace, Rotterdam (NL)
2026&#38;nbsp; &#38;nbsp; 46 folding chairs, puntWG, Amsterdam (NL)
2025&#38;nbsp; &#38;nbsp; The Hague Independent Publishing Event, Paradise, The Hague (NL)
2025&#38;nbsp; &#38;nbsp; Please RSVP, The Servers, The Hague (NL)
2024&#38;nbsp; &#38;nbsp; Mapaway, Institute of Cartopology, Vaals (NL)
2024&#38;nbsp; &#38;nbsp; The Hague Independent Publishing Event, Paradise,&#38;nbsp;The Hague (NL)
2024&#38;nbsp; &#38;nbsp; UNFOLDING FUTURES, Futures Hub, Amsterdam (NL)2024&#38;nbsp; &#38;nbsp; KABK Graduation Show,
The Hague (NL)2023&#38;nbsp; &#38;nbsp; , the pigeons took the house, Brouwersgracht 25, The Hague (NL)2023&#38;nbsp; &#38;nbsp; As Above, So Below, Grey Space in The Middle, The Hague (NL)

2022&#38;nbsp; &#38;nbsp; The World, The Now, The End, council+, Berlin (DE)
2022&#38;nbsp; &#38;nbsp; We do/are Photography, Photoszene Köln, Cologne (DE)
	residencies
2023&#38;nbsp; &#38;nbsp; Artistic Research Residency at the Institute of Cartopolog, Vaals (NL)
	
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		<title>work</title>
				
		<link>https://hannahschleifer.com/work</link>

		<pubDate>Thu, 27 Jul 2023 12:24:27 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

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		<description>
	&#60;img width="2382" height="1786" width_o="2382" height_o="1786" data-src="https://freight.cargo.site/t/original/i/7426d1528ccc81c8dcb2b2d305777dc12224ad81bb543155366eb2a91fb5e89a/reliable_surface_67s.jpg" data-mid="249960960" border="0"  src="https://freight.cargo.site/w/1000/i/7426d1528ccc81c8dcb2b2d305777dc12224ad81bb543155366eb2a91fb5e89a/reliable_surface_67s.jpg" /&#62;
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		<title>Untitled (Sweden)</title>
				
		<link>https://hannahschleifer.com/Untitled-Sweden</link>

		<pubDate>Thu, 27 Jul 2023 12:14:36 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

		<guid isPermaLink="true">https://hannahschleifer.com/Untitled-Sweden</guid>

		<description>untitled&#38;nbsp;(2023, Sweden)

	a series of photographs taken during a three month stay in Sweden.

︎︎︎ all works



	


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	<item>
		<title>Gravity Roads</title>
				
		<link>https://hannahschleifer.com/Gravity-Roads</link>

		<pubDate>Mon, 28 Oct 2024 16:23:35 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

		<guid isPermaLink="true">https://hannahschleifer.com/Gravity-Roads</guid>

		<description>Gravity Roads(2024-)
	It is the summer of 2020, I am sitting in a van, driving to a photo-set in Portugal, when our local driver mentions that we are now on a gravity road. He explains that here, gravity doesn’t work and that vehicles move up the hill by themselves.

Gravity Roads is not a work about one unique place but rather about a phenomenon that occurs in multiple locations. These are places where a natural optical illusion tricks the eye into perceiving objects as moving uphill by themselves. This draws people’s attention to these otherwise ordinary countryside roads and turns some of them into touristic roadside attractions.

I am fascinated by the human need to understand what is happening and the urge to explain anything. While making this work, I am also just someone that gives in to her curiosity. This tension between believing either our eyes or logical explanations is captivating. Often, the explanation marks the end of this curiosity, but with the gravity road it is different. The phenomenon has been scientifically and logically explained - yet we still give in to its strangeness.
Gravity Roads is a research-based work that consists of photographs, texts, observations, and found material and which is presented in an artist book as well as an installation. It is an invitation to discover and explore the phenomenon of the gravity-hill-illusion and to question one’s personal awareness towards one’s surroundings.

Gravity Roads is a playful comment on human fascination for the absurdity of a place, even though we know that there is nothing absurd about it at all, really.
installation:model to demonstrate a gravity hill illusion: wood, 200x90cm3 landscape plates: foam and felt, wallpaint, sponge pieces, grip-tape
wallpaper&#38;nbsp;
2 frameless-framed photographs, 13x18cm
6 artist books in custom made book holders: copper, spraypaint

︎︎︎ all works
	


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		<title>Publication: Gravity Roads</title>
				
		<link>https://hannahschleifer.com/Publication-Gravity-Roads</link>

		<pubDate>Sat, 19 Jul 2025 20:12:25 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

		<guid isPermaLink="true">https://hannahschleifer.com/Publication-Gravity-Roads</guid>

		<description>Artist book: Gravity Roads(July, 2024)
	
edition of 50 copiespublished by ringelpresscard board covers, open and taped spinephotograph tipped in the cover boardfrench link stich binding80 pages140x240mmpaperstock: Emotion Pure 1.5 White, 120gsmHolmen TRND 2.0, 80gsm printing: booxs

 available via www.ringelpress.com
︎︎︎ all works
	


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&#60;img width="4822" height="3616" width_o="4822" height_o="3616" data-src="https://freight.cargo.site/t/original/i/d9f94605403c5a3edad32a89d10887ec44356682f8d404c13b6840c8afaff1da/DSCF90567_07.jpg" data-mid="236027638" border="0"  src="https://freight.cargo.site/w/1000/i/d9f94605403c5a3edad32a89d10887ec44356682f8d404c13b6840c8afaff1da/DSCF90567_07.jpg" /&#62;
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&#60;img width="4822" height="3616" width_o="4822" height_o="3616" data-src="https://freight.cargo.site/t/original/i/f46332d9ce247759a9d8a48e45392ca5bf4d6a91b941f8edc26541d1465fddb6/DSCF9056_01.jpg" data-mid="236027666" border="0"  src="https://freight.cargo.site/w/1000/i/f46332d9ce247759a9d8a48e45392ca5bf4d6a91b941f8edc26541d1465fddb6/DSCF9056_01.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>road studies</title>
				
		<link>https://hannahschleifer.com/road-studies</link>

		<pubDate>Mon, 28 Oct 2024 20:44:19 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

		<guid isPermaLink="true">https://hannahschleifer.com/road-studies</guid>

		<description>study of roads(2023-)
	This started as the visual research for the work ‘Gravity Roads’ as a tool to study the visual perspective on roads and how they are percieved in the context of their surroundings.&#38;nbsp;

︎︎︎ all works
	


	&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/050f6066be96b73e939e6fadd697b2240b39532eef50c212baa2a46e21b23e6a/roadstudies_website__8.png" data-mid="220441720" border="0"  src="https://freight.cargo.site/w/1000/i/050f6066be96b73e939e6fadd697b2240b39532eef50c212baa2a46e21b23e6a/roadstudies_website__8.png" /&#62;

	&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/22dab843f1eb5a5c69a796d09b22d64fc91689831689882431c5ad9ecf14850d/roadstudies_website__3.png" data-mid="220441722" border="0"  src="https://freight.cargo.site/w/1000/i/22dab843f1eb5a5c69a796d09b22d64fc91689831689882431c5ad9ecf14850d/roadstudies_website__3.png" /&#62;

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/619b4438798fd83b5a4dc26353ef9c50ad367186f2b440b26025f1ed49e7426d/roadstudies_website__5.png" data-mid="220441787" border="0"  src="https://freight.cargo.site/w/1000/i/619b4438798fd83b5a4dc26353ef9c50ad367186f2b440b26025f1ed49e7426d/roadstudies_website__5.png" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/22e66c1c1e1e6f362edbd552cf6ac57a8171060fb136dceb795a1823715d4ac2/roadstudies_website__7.png" data-mid="220441791" border="0"  src="https://freight.cargo.site/w/1000/i/22e66c1c1e1e6f362edbd552cf6ac57a8171060fb136dceb795a1823715d4ac2/roadstudies_website__7.png" /&#62;

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/792fd189b73e2f30a02470010ff9249d8e06436ce9fd0bda213f952a0656067e/roadstudies_website__11.png" data-mid="220441793" border="0"  src="https://freight.cargo.site/w/1000/i/792fd189b73e2f30a02470010ff9249d8e06436ce9fd0bda213f952a0656067e/roadstudies_website__11.png" /&#62;

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&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/041692a29a4275fef6b84ab2195daa30522bfe2afac5ba7e308045700d6710f9/roadstudies_website__4.png" data-mid="220441761" border="0"  src="https://freight.cargo.site/w/1000/i/041692a29a4275fef6b84ab2195daa30522bfe2afac5ba7e308045700d6710f9/roadstudies_website__4.png" /&#62;

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/dbb04e231c367b1affcff2cb6816e777e19d5c41f4fb025675ec0297dc992593/roadstudies_website__6.png" data-mid="220441788" border="0"  src="https://freight.cargo.site/w/1000/i/dbb04e231c367b1affcff2cb6816e777e19d5c41f4fb025675ec0297dc992593/roadstudies_website__6.png" /&#62;

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a454767487eacc25a6ee97be1f63b5c1d2e4eb0a19c3b8f2e67caff247560218/roadstudies_website__10.png" data-mid="220441792" border="0"  src="https://freight.cargo.site/w/1000/i/a454767487eacc25a6ee97be1f63b5c1d2e4eb0a19c3b8f2e67caff247560218/roadstudies_website__10.png" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>hereinspaziert</title>
				
		<link>https://hannahschleifer.com/hereinspaziert</link>

		<pubDate>Thu, 27 Jul 2023 13:21:42 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

		<guid isPermaLink="true">https://hannahschleifer.com/hereinspaziert</guid>

		<description>hereinspaziert
(2022, Germany)

	What is it like to be in a unified place that is actually constructed for people to live their individual lives in? The Uni Center presents itself as an own cosmos which a couple of thousand people navigate in. Shouldn’t this amount of people leave traces of personality and community? By spending time in the building and moving through it I am trying to find answers to these questions and to capture the daunting discretion the place evokes.
installation:
7 wooden frames, white laque, 110x220x45mmHahnemühle Baryta 300gsm, digital photoprintsrechargable LED tubes


︎︎︎ all&#38;nbsp;works


	



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	&#60;img width="4895" height="3263" width_o="4895" height_o="3263" data-src="https://freight.cargo.site/t/original/i/d2579fb120a06633997cfc9915ff450db0e07b163bb285795949440545de9e94/insti_fullimage124.JPG" data-mid="186243372" border="0"  src="https://freight.cargo.site/w/1000/i/d2579fb120a06633997cfc9915ff450db0e07b163bb285795949440545de9e94/insti_fullimage124.JPG" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>a warp in the earth</title>
				
		<link>https://hannahschleifer.com/a-warp-in-the-earth</link>

		<pubDate>Sat, 19 Jul 2025 19:41:15 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

		<guid isPermaLink="true">https://hannahschleifer.com/a-warp-in-the-earth</guid>

		<description>A warp in the earth
(2026, Netherlands)

	part of the duo show ‘Reliable Surface’ with Enrico Carpi at at SUNSET.
video, 11:50min, found footage
model cars, 1:87︎︎︎ watch here


︎︎︎ all&#38;nbsp;works


	


	&#60;img width="2382" height="1786" width_o="2382" height_o="1786" data-src="https://freight.cargo.site/t/original/i/2016ba378dfb8d46123b5638550ce9f56b767e1c7625569f75c56f57cf5ca50b/reliable_surface_67s.jpg" data-mid="249961012" border="0"  src="https://freight.cargo.site/w/1000/i/2016ba378dfb8d46123b5638550ce9f56b767e1c7625569f75c56f57cf5ca50b/reliable_surface_67s.jpg" /&#62;



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&#60;img width="2382" height="1786" width_o="2382" height_o="1786" data-src="https://freight.cargo.site/t/original/i/6ab02e7f50ed7cda6a03a76c392a50735dbaa3c5281f2bfb977293ac3af9d0c0/reliable_surface_65s.jpg" data-mid="249961011" border="0"  src="https://freight.cargo.site/w/1000/i/6ab02e7f50ed7cda6a03a76c392a50735dbaa3c5281f2bfb977293ac3af9d0c0/reliable_surface_65s.jpg" /&#62;

&#60;img width="2382" height="1786" width_o="2382" height_o="1786" data-src="https://freight.cargo.site/t/original/i/480c30dcf4d6a8e0bb944df2bfadba1e152e72cba978451ede96cf871d6199f4/reliable_surface_68s.jpg" data-mid="249961013" border="0"  src="https://freight.cargo.site/w/1000/i/480c30dcf4d6a8e0bb944df2bfadba1e152e72cba978451ede96cf871d6199f4/reliable_surface_68s.jpg" /&#62;
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&#60;img width="2381" height="1786" width_o="2381" height_o="1786" data-src="https://freight.cargo.site/t/original/i/6b865b807461f312d5ad16fbd97a26ed591d01e878bb34595135be4a3a2c5b41/reliable_surface_69.jpg" data-mid="249961031" border="0"  src="https://freight.cargo.site/w/1000/i/6b865b807461f312d5ad16fbd97a26ed591d01e878bb34595135be4a3a2c5b41/reliable_surface_69.jpg" /&#62;

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/bd2ba1daba87f1c3e99c2beab5096f6c3c906c7b2e781f5fc0f1a219c71ffddc/reliable_surface_71.jpg" data-mid="249961032" border="0"  src="https://freight.cargo.site/w/1000/i/bd2ba1daba87f1c3e99c2beab5096f6c3c906c7b2e781f5fc0f1a219c71ffddc/reliable_surface_71.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Baksteen Kuliss</title>
				
		<link>https://hannahschleifer.com/Baksteen-Kuliss</link>

		<pubDate>Sun, 26 Apr 2026 10:39:57 +0000</pubDate>

		<dc:creator>Hannah Schleifer</dc:creator>

		<guid isPermaLink="true">https://hannahschleifer.com/Baksteen-Kuliss</guid>

		<description>Baksteen Kulisse
(2026, Netherlands)

	installation views from the group exhibition ‘A box set with three corners’ at Het Archief Artspace, Rotterdam.Vinex is a policy of the Dutch Ministry of Housing, Spatial Planning and the Environment (VROM) which was released in 1991, out of the necessity to accommodate the increasing population in the Netherlands. The policy designated large outer city areas for massive new housing development. Neighbourhoods built based on the note are known as Vinex-wijken.
&#38;nbsp; &#38;nbsp; Vinex—wijken feel like film sets, everything is carefully prepared for what is planned to happen. The set is designed to be varied yet uniform, private yet communal, spacious yet eﬃcient. The houses are standing in line, waiting for people to move in. The front gardens are small squares of soil, waiting to turn into small squares of grass. The set is calmly anticipating to be performed on.&#38;nbsp; &#38;nbsp; 
This work talks about the period from the planning period of Vinex—wijken until the completion of construction. It draws a picture of a sense of expectation: hope, a bright future, solutions to problems, and how Vinex’ arranged scenery provides the optimal background for life — Referring to bureaucratic processes within individual realities.


video, 00:58min,&#38;nbsp;Postbus 51 Spot Vierde Nota Ruimtelijke Ordening (1987). 2026Real estate window display, A3 laser prints of planning documents. 2026 Inkjet printed photographs on C6 envelopes, photos from architects archives. 2026


︎︎︎ all&#38;nbsp;works


	



	&#60;img width="5116" height="3837" width_o="5116" height_o="3837" data-src="https://freight.cargo.site/t/original/i/762b800f18aa251eac72ac20f24ce339c7fcd321b81f199b6a4ff86782d1e3ff/2026_test021.jpg" data-mid="247598004" border="0"  src="https://freight.cargo.site/w/1000/i/762b800f18aa251eac72ac20f24ce339c7fcd321b81f199b6a4ff86782d1e3ff/2026_test021.jpg" /&#62;



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