Hannah
Schleifer

Hannah Schleifer


2022







matratze magazin

2023, Germany

independent magazine,
Abk Stuttgart
  
5. Ausgabe des MATRATZE MAGAZINS, ein unabhängiges studentisches Magazin mit dem Fokus auf Text- und Fotoarbeiten. Die Idee dahinter ist das Kreieren einer Plattform für künstlerischen, prozess-orientierten Austausch zwischen Studierenden im deutschsprachigen Raum. (text: matratze magazin)


, the pigeons took the house

2023, The Netherlands

group exhibition,
Den Haag, The Netherlands

self-initiated group exhibition

involved artists: Bo Oskamp, Lyy Raitala, Wassim El Hodayebi, Baroeg Mulder, Taiyo Shimizu Larenas, Luke van Wijk, Maas Mulder, Hannah Schleifer



As Above, So Below

2023, The Netherlands

group exhibition,
Den Haag, The Netherlands


featured work:
︎︎︎ Drei Häuser

group exhibition with The Fool Collective
40 participating artists

As above, So below marks the second chapter in the Fools journey. 'The Fool' is a guide and reminder to wear our open hearts. As we begin refining our practices, old links gradually fade and make space for new connections. We have constructed a network of interconnected individual works where materiality shifts between the fragile and the solid. We invite our audience to shape their interpretations and interrelations to create new paths of understanding.
By embracing, we allow alignments of elements. Immaterial and material, from our different positions and knowledge. All together we create stories told in various visual languages. They can produce order and new negotiated meanings. Our stories are wired in the middle but disperse their individual points, allowing them to take different turns and directions.  (text: The Fool Collective)




The Creation of the World, The Now, The End

2022, Germany


group exhibition,
Berlin, Germany


featured work:  ︎︎︎ hereinspaziert
curated by Council+
group exhibition 


The Creation of the World The Now The En zeigt Beiträge von jungen Künstler*innen verschiedenster europäischer Kunsthochschulen und deren Alumni. Viele der präsentierten Arbeiten sind in den letzten Monaten und in-situ entstanden. Angesichts der veränderten Parameter, unter denen Kunst produziert, ausgestellt und wahrgenommen wird, hat auch der Bedeutungsgehalt der Kunst eine vorübergehende Wandlung durchlaufen.In den ausgestellten Malereien, Skulpturen, Zeichnungen, Videos und Installationen treten die 32 ausstellenden Künstler*innen in einen zum Teil paradoxen Dialog, welcher grundlegend vom hedonistischem Leben im Paradies und dessen Gegenspieler dem Abgrund geleitet wird. (text: council+)



hinterlands magazine

2022, Germany

issue “green”


featured work:
︎︎︎ careful control



hinterlands magazine
Magazine for Rural Realities

Green are the meadows, forests and fields that form rural landscapes. Green is chlorophyll, a pigment absorbing red and blue wavelengths of light. Green are trimmed hedges bordering an estate in the village and shielding it from the neighbor’s view. Green is the color of political parties that aim to counter the climate crisis. Green is sometimes just a fantasy. The chosen color of hinterlands’ third issue points to the climate crisis and its consequences. It shows us the drawbacks of an industry focusing on “green” solutions. It leads us into the forest and to family histories tied to the soil on which they live. (text: hinterlands)


Trickle

2022, The Netherlands

group publication by The Fool Collective


featured work:
︎︎︎ hereinspaziert 



Trickle - come, go, or appear slowly

Published in October 2022, with the support of The Royal Academy of Art, The Hague, Netherlands.
  The publication is a note to The Fools’ journey where stories of absurdity, vulnerability, contemplation, and meditation are told and expressed in various visual languages. It is a voyage into a diverse selection of works, a journey of thegrowing Fool. The theme of Trickle refers to how we experienced our time, to always be trickled and disoriented, accompanying each other in the journey of The Fool. Curated in an intuitive way, photographs are connected like the transience of water drops, trickling through the pages. (text: The Fool Collective)